#Waring gloves to preserve old manuscripts how to#
#Waring gloves to preserve old manuscripts skin#
#Waring gloves to preserve old manuscripts free#

#Waring gloves to preserve old manuscripts free#

6 and 7, the free two-day “Witches of the West' symposium, will explore lessons still relevant today about the uncanny connections between witch hunts, mass persecution, modern moral panics, and the flames of medieval and early modern pyres that devoured bodies and books (but not the legacy of ideas and dreams). Speaking of medieval manuscripts, the 28th Annual Medieval Workshop, “Burnt at the Stake,” on Jan. 'It’s our responsibility to preserve that interaction for future generations.” “You hold the book in the same way that someone in the 12th century held it.' “Unlike a painting, you get to interact with a manuscript in the same way as someone in the past,” she explains. “You always want to check with the archivist or whoever’s in charge of the collection.”Įspecially in this age of digitalization, Kemp yearns for the intimate sensation that comes with the bare-skin handling of old manuscripts. Kemp also offers the following cultural caveat: “When we say ‘no white gloves’, we’re primarily talking about books-not every type of cultural artifact,” she explains. “It’s just a question of minimizing that story, and preserving the manuscript as best we can.” A good example, says Kemp, is the Allepo Codex-Jerusalem’s 10th-century Hebrew Bible-the edges of which are blacked and crumbling after a thousand years of handling. “Whenever you touch a manuscript, your interaction always leaves an impression-and that becomes part of the story of that book,” she cautions. They would then dispose them in water bodies, he said. Thus several surviving manuscripts would have burnt edges, which superstitious people considered bad omens. Kemp reminds everyone to thoroughly wash their hands before handling any archival object, and ensure your hands are free of oils, lotions and spikey jewelry.Īlso, never touch any paintings or gold leaf on the page, and only handle a manuscript by its edges. (Photo Courtesy: Avinibesh Sharma) The idea was to preserve them with heat and smoke. “I was originally taught that with parchment, you use bare hands, while with paper, you always use gloves.” (The distinction lies in the object itself-parchment is made out of animal skin, which is very durable, while paper is far more fragile and doesn’t hold up as well over the centuries.) “Now, however, it’s bare hands for everything.”īut don’t think you can go straight from snacking at Biblio Cafe to flipping through a 15th-century tome. One of her passions in both the Art History and Medieval Studies departments is introducing students to the ancient manuscripts and printed books in Special Collections-absolutely a hands-on proposition.ĭon’t feel antiquated if this is breaking news, however: Kemp says the dare-to-bare movement is somewhat recent. While her doctoral research focused on the cognitive function of images in 15 th century encyclopedic manuscripts, her broader research interests include knowledge visualization, image-text relations, cultures of reading and book history. Kemp, a sessional instructor in UVic's Department of Art History and Visual Studies, well knows of what she speaks. Honestly, gloves cause more problems than they actually solve.” You’re far more likely to damage the book by losing that haptic perception-you’re not going to be able to easily turn a page with gloves on, for example-and the cotton can actually wear on the object’s surface, as it’s fairly abrasive compared to your skin. “Our rule at UVic, and at most international libraries, is no white gloves,” she explains.

#Waring gloves to preserve old manuscripts skin#

Despite the lingering meme of white-glove clad researchers delicately handling archival material, Kemp says bare skin is best when it comes to the centuries-old books in UVic Special Collections and University Archives.

Jamie Kemp-the gloves are definitely off.

the origin' of each piece, he added.When it comes to handling old manuscripts, there’s no fooling around for UVic researcher Dr. we describe the damage' and try 'to understand.

#Waring gloves to preserve old manuscripts how to#

deciding what to do and how to intervene on the manuscript', the Italian conservator told AFP. Peering over an 18th-century Ottoman astronomy book, its pages filled with elegant black ink calligraphy, Di Bella made comments in English that were translated into Arabic. The programme involves working with Italian expert Marco Di Bella, whose country has previously funded equipment for the House of Manuscripts' offices, including lighting. 'You can spend several months with the same book.'Īhmed is one of seven Iraqi conservators who are currently undergoing training, funded by the Italian embassy, to help them carry out their colossal restoration mission. The programme involves working with Italian expert Marco Di Bella (C) © Sabah ARAR / AFPīut it also must reduce any damage to the work 'so that it can live longer', she added.Ī text 'may not have a cover, the pages might be detached, you may have to sew and make a leather cover', she said.